Search Result
|
|
Bach Bibliography Search Result |
Author : Braatz, ThomasYour search has generated the following results ...
Max number of results shown : 300
Output sorted : serially (table)
| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Braatz, Thomas (trans.) | Congregational Singing from the MGG I (Bärenreiter, 1986). | ||||||
| | 2. | Braatz, Thomas | Documentary Evidence Revealing the Contemporary Performance Practices For Bach's Organo (Basso Continuo) Parts. | ||||||
| | 3. | Braatz, Thomas | The Rise and Fall of the Stübel Theory. | ||||||
| | 4. | Braatz, Thomas | 'Death' in Bach's sacred libretti. | ||||||
| | 5. | Braatz, Thomas | The Esoteric Bach. | ||||||
| | 6. | Braatz, Thomas | The 'Shortening of the Supporting Notes' in the Bc of Bach's 'Secco' Recitatives. | ||||||
| | 7. | Braatz, Thomas | Hidden Chorale Melody Allusions. | ||||||
| | 8. | Braatz, Thomas | BWV 524 Quodlibet (Fragment) 'Was seind das vor grosse Schlösser'. | ||||||
| | 9. | Braatz, Thomas | The Quodlibet as Represented in Bach's Final Goldberg Variation BWV 988/30. | ||||||
| | 10. | Braatz, Thomas | Bach, the Grape-Stamper (BWV 43/7). | ||||||
| | 11. | Braatz, Thomas | Laus Deo. | ||||||
| | 12. | Braatz, Thomas | The History of the Breitkopf Collection of J. S. Bach's Four-Part Chorales. | ||||||
| | 13. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 1. Preface. | ||||||
| | 14. | Braatz, Thomas | [Mattheson on OVPP/OPPP.] Johann Mattheson's Stated Requirements for the Group of Musicians Performing Figural Music in Large Churches | ||||||
| | 15. | Braatz, Thomas | Bach's Text and Music Business Connections. | ||||||
| | 16. | Braatz, Thomas | Translation of a first-hand account describing the location in Leipzig where Catholics were holding their services in 1728. | ||||||
| | 17. | Braatz, Thomas | The Marche movement in BWV 207 and BWV 207a. | ||||||
| | 18. | Braatz, Thomas | BWV 56 'Ich will den Xstab gerne tragen' - An Attempt to Trace the Symbols and Other Poetic Expressions in the Libretto Back to Their Original Sources. | ||||||
| | 19. | Braatz, Thomas | [Autograph score and parts of 8 Cantatas for the Second and Third Days of Christmas set to Lehms texts.] Missing Indications for Saints' Feast Days on Christmas Feast Days. | ||||||
| | 20. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 7. Organizational Structure of Leipzig's Governmental Bodies during J.S. Bach's Service: School, Church, and University. | ||||||
| | 21. | Braatz, Thomas | BWV 248/19 'Schlafe, mein Liebster' - A Background Study with Focus on the Colla Parte Flauto Traverso Part. | ||||||
| | 22. | Braatz, Thomas | Size of Bach's music paper. | ||||||
| | 23. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 3.English Translation. | ||||||
| | 24. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 6. Appendix. | ||||||
| | 25. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 5. Bach and the Schulordnung - Separating Myth from Reality. | ||||||
| | 26. | Braatz, Thomas | On 'der Held/Löwe aus Juda' (The Lion in the texts of Bach Cantatas) | ||||||
| | 27. | Braatz, Thomas (ed.) | The Rules Established for the Thomasschule by a Noble and Very Wise Leipzig City Council - Printed by Bernhard Christoph Breitkopf Leipzig, 1733 - Original German Text. | ||||||
| | 28. | Braatz, Thomas | The Problematical Origins of the 'Generalbaßlehre of 1738'. | ||||||
| | 29. | Braatz, Thomas (trans.) | The Rules Established for the Thomasschule by a Noble and Very Wise Leipzig City Council - Printed by Bernhard Christoph Breitkopf Leipzig, 1733 - English Translation. | ||||||
| | 30. | Braatz, Thomas | Bach's Bells - Mors certa, hora incerta. | ||||||
| | 31. | Braatz, Thomas | J.S. Bach: Orgelbüchlein, Köthen, after 1720? | ||||||
| | 32. | Braatz, Thomas | How fast could and did Baroque composers compose cantatas? | ||||||
| | 33. | Braatz, Thomas | The Hänfling/Bümler Temperament - A Trigger for Bach's Well-Tempered Clavier? | ||||||
| | 34. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 2. Original German text. | ||||||
| | 35. | Braatz, Thomas | School Rules and Regulations for the St. Thomas School of Leipzig, as Established and Decreed by the Most Honorable City Council of Leipzig Immanuel Tietzen, Printer, 1723: 4. Organizional Structure of the Thomasschule in Leipzig. | ||||||
| | 36. | Braatz, Thomas | Evidence for the Size of Bach's Primary Choir. | ||||||
| | 37. | Braatz, Thomas | The Relationship between BWV 244a (Trauermusik) and BWV 244b (SMP Frühfassung). | ||||||
| | 38. | Braatz, Thomas | Early Performances of Bach's SMP. | ||||||
| | 39. | Braatz, Thomas | Bach's Collegium musicum in Leipzig and Its History. | ||||||
| | 40. | Braatz, Thomas | J.S. Bach's Use of Trombones: Utilization and Chronology. | ||||||
| | 41. | Braatz, Thomas | J. S. Bach's Performance Environment in the Nikolaikirche from 1723 to 1750. | ||||||
| | 42. | Braatz, Thomas (trans.) | Arnold Schering on 'Who sang the soprano and alto parts in Bach's cantatas?' | ||||||
| | 43. | Braatz, Thomas | Cantabile. | ||||||
| | 44. | Braatz, Thomas | Bach's use of the cut-time time signature. | ||||||
| | 45. | Braatz, Thomas | Information about Bach's Motets with a Specific Examination of BWV 226 Extracted from Klaus Hofmann's Book on This Subject - Summaries and Translations. | ||||||
| | 46. | Braatz, Thomas | Picander - quotation from Spitta's book: 'J.S. Bach'. | ||||||
| | 47. | Braatz, Thomas | Bach and the 'Snake-Fire-Sprayers' - Fire-Fighting Regulations and Equipment During Bach's Time in Leipzig. | ||||||
| | 48. | Braatz, Thomas | Telemann's Doubling of Bass Parts. | ||||||
| | 49. | Braatz, Thomas | Easter Oratorio BWV 249 - An Examination of its Sources and Development. | ||||||
| | 50. | Braatz, Thomas | Bach's Definition of Chor in his Autograph Documents. | ||||||
| | 51. | Braatz, Thomas | Another Chink in Rifkin's OVPP Theory: How Many Vocalists Sang Telemann's Sacred Music in Hamburg? How Many Singers Sang from a Single Part? | ||||||
| | 52. | Braatz, Thomas | The OVPP (One Vocalist Per Part) Controversy: An Assessment of the Argumentation Employed in a Recent Exchange between Opposing Factions. | 17p | |||||
| | 53. | Braatz, Thomas | Bach and the Beggars. | 18p |